"Mun dade muna tunanin makomar gaba, amma yanzu muna rayuwa," in ji darektan kere kere Katie Chung bayan wasan kwaikwayon Wooyoungmi. "Babu wani dalili da za a yi la'akari game da tufafin sararin samaniya na azurfa da siffofi masu hauka: Ra'ayina game da makomar gaba shine game da aiki, game da kiyaye kyawawan tufafin gargajiya yayin da ake canza yadudduka." Wata katafaren wata tana zaune a tsakiyar titin jirgin sama na yau, ƙwaƙƙwaran tsarin saitin nan gaba wanda aka bayyana ta hanyar banbance-banbancen da aka yi da tsohuwar makarantar Parisian ƙawa na wurin, Salon Imperial a Otal ɗin Intercontinental. Makin melancholic, wanda Stu Sibley ya haɗa, ya sanya sauran: Ɗaukar Wooyoungmi game da makomar gaba ta kasance game da rashin son abin da ke faruwa, ba farin ciki ga wanda ba a sani ba.
Tarin, a maimakon haka, ya kasance madaidaicin jeri na ingantattun siffofi. An ba da rigar ƙura, kwat da wando, da bulun rigar a cikin nau'ikan wanki marasa iyaka kuma a cikin ɗimbin yadudduka masu ƙura, ba bugu a gani ba. Launuka sun kasance kodadde da kwayoyin halitta, suna girma da ƙarfi daga launin toka mai ƙura zuwa zurfin gawayi. Duk ya fitar da iskar tabbataccen kwanciyar hankali da tsattsauran ra'ayi, yayin da ƙirƙira masana'anta ta tabbatar da cewa za a iya rayuwa a cikin tufafi kuma a yi amfani da su sosai. A gefe guda, abubuwa sun ɗan sake maimaitawa nan da nan. Gajeren nuni zai sa saƙon ya fi tasiri.
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