by LUKE LEITCH
“Wannan ba shi da iyaka,” in ji abokin zama na. Kuma wannan ya kasance kafin wasan karshe na kallon 40-wanda ke nuna wasu kyawawan kayan wasan motsa jiki na Amurka da aka rarraba da yawa, da yawa, da yawa daga cikin kayan kwalliyar Marras-mixed orgy na montage da mélange da muka gani kawai - sun zagaya da gungun ma'aurata masu ban sha'awa suna jiving da karkatarwa.
Don haka bari mu fara a farkon. Tarin ya samo asali ne daga hotunan rayuwar dare a Bamako, Mali, a cikin shekarun 50s da 60s na Malick Sidibé. Suna ɗaukar hotuna masu ɗaukar hoto na ƙarni waɗanda aka tsara su ta hanyar al'adar gida da zazzabin rock 'n' roll sannan ta mamaye duniya. Saitin wani katafaren silo ne na tarkace wanda a ciki akwai wasu samari bakar fata suna karanta mujallun kayan girki a karkashin murfi na gyaran gashi.
"Shin wannan ba daidai bane a siyasance?" bisa adalci ya yi mamakin seatmate dina. Marras yana da amsar da aka riga aka shirya ta hanyar furucin Yinka Shonibare a cikin bayanin kula: “A yau, babu wanda ya zama abu ɗaya kawai. Ba wanda zai iya musun ci gaba da dogayen al'adu, harsunan ƙasa, da al'adu. Babu wasu dalilai na dagewa a kan rabuwarsu da bambancinsu face tsoro da son zuciya”. Simintin gyare-gyaren, wanda akasari ya ƙunshi nau'ikan fararen fata, ya yi, duk da haka, ya haɗa da yawancin baƙar fata da fuskokin Asiya- fiye da yadda Milan ke bayarwa. Hukuncina wanda bai cancanta ba-saboda ba al'adata ba Marras ya dace ba - wannan wasan kwaikwayon bai ketare iyaka tsakanin ilhama da cin zarafi ba. Kuma samun bambance-bambance a kan titin jirgin sama kawai za a iya taimakawa lokacin da masu zanen kowane launi, ko da fari, suna da 'yanci don bincika cikakken bambancin ka'idodin al'adun ɗan adam lokacin haɗa aikinsu.