Michael Bastian waqti badan ayuu ku qaatay Tokyo sanadkii hore. "Waqti ayaan ka fekerayay Japan," naqshadeeyuhu wuxuu yiri isagoo ku sugan istuudiyihiisa Waddada Weyn ee West Side maalin ka hor inta uusan qaadan dhabbaha ay diyaaraduhu ka duulaan. Si gaar ah, wuxuu ka fikiri lahaa sida ragga Japan-gaar ahaan, tifaftirayaasha iyo iibsadayaasha u safraya Florence's caanka ah ee Pitti Uomo tradeshow — u qaataan tixraacyada naqshadeynta Talyaani, Ingiriisi, iyo Ameerika heer kale. "Waxay ka soo qaataan sida ugu fiican ee dhaqan kasta oo ka dhigaya mid aad u sii fiican," ayuu yidhi. "Kooxda Japan ayaa ciddiday."
Marka, halka Dayrta 2014 ay aad ugu badan tahay "raaxada Ameerikaanka" ee Bastian-inkasta oo, goorma aysan ahayn?— wuxuu ku eegayay fikradahaas muraayad Japanese ah. "Reverse Take Ivy," ayuu yidhi, isaga oo tixraacaya buuga sawirada ardayda Ivy League ee Teruyoshi Hayashida. Bastian waxa uu rabey in japan u nuuxnuuxsado in uu ahaado mid qarsoodi ah. Guud ahaan, ma aysan ahayn, laakiin taasi ma dhicin. Funaanad isboorti oo zip-up ah oo leh Mount Fuji oo dhabarka lagu dhejiyay iyo dabaysha laga sameeyay maro kimono ah oo masduulaagii lagu qurxiyay ayaa laga yaabaa inay run tahay, laakiin sidoo kale waxay ahaayeen waxyaabaha mid ka mid ah xiddigaha qaabka wadada Pitti xiran lahaa. Sida uu ahaa turtleneck burgundy ah oo qaatay soddon maalmood in la toleeyo iyo kuul. Qaybta Fair Isle ee dhididka ayaa laga sameeyay 150 Jaban oo Edo-period qadaadiic ah, 140 kuul aventurine ah, siddeetan kuul oo jaad ah, iyo in ka badan 600 oo kale oo yaryar. Soo jiidashada ururinta ayaa ku jirtay tafaasiisha, ha ahaato midhaha liimiga ah ee safan tolmada laba dacas oo nashqadeeyay oo ay iska kaashadeen Stubbs & Wootton, ribbon yar oo ka samaysan maro kimono ah oo ku xidhan cidhifka dab-qaadayaasha, ama bahalkii dabka neefsada oo lagu tolay funaanad cashmere ah.
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