EMILAN, JANUWARI 17, 2016
ngu TIZIANA CARDINI
Isitayile esingenasini siye saba yinto yomsindo wonke; phantse wonke umyili, ukusuka phezulu ukuya phezulu, sele ethe thaa kuyo. Ngokuwa, u-Alessandro Dell'Acqua unike itoliko yakhe yobuqu, ehluzwe kwilensi yokuqonda kwakhe. Umbono wakhe ngowobudoda obujike kancinane bupinki—akukho nto iqatha kakhulu okanye ibukhali. Kodwa akukho nto inokuqikelelwa kakhulu.
“Bendifuna ukubonisa icala elinobubele, elithambileyo lobudoda,” watsho umyili ngasemva kweqonga. Uqhubekile nokuxuba ezinye zezinto zesimbo sotyikityo lwakhe lobufazi-umnxeba wentambo ye-macramé, ikroba lokuqaqamba, ukuprintwa kwezilwanyana, imizobo eshwabeneyo, ipalethi yemibala enqunu-kunye neereferensi ezithile zomkhosi nezemidlalo. Ukusetyenziswa kwe-chiffon, ileyisi, i-crepe de chine, kunye noboya obuthambileyo be-bouclé kwenza umyalezo wacaca nangakumbi, ubonisa ithoni ephantsi evuselela inkanuko. Konke kuxutywe ngengqiqo yokukhululeka, ukufumana iziphumo ezilinganayo. Ukuqhubela phambili ukuqinisa i-dialogue yamadoda-yesifazana, imbonakalo embalwa evela kwi-No. Lo mkhwa uvunywe zezinye iibrendi ezimbalwa. Ngaba iya kuguqulela kwifomula ezinzileyo yenkqubo yefashoni, leyo efuna ngokunzulu ukucinga kwakhona? Kuhlala kubonwa, kodwa masiyonwabele iphupha lekamva (ngethemba) elingcono.